Player Ratios
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@dvoraen if you pay save up 50 share points, you can get a cool new player skin
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@Pavel said in Player Ratios:
That goes double for taking things that are typically “free” (staff attention, entrance into plots, add your own example here) and making them require points. The EA or Ubisoft approach to staffing.
Yeah that’s why these kinds of systems always felt icky to me. We’re all here to tell stories. I’m not going to bribe you to do it, and I don’t want to be coerced to do things I wouldn’t already do just because you racked up some kind of brownie points.
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I’m kind of with Faraday here. As long as the lore files on what is and isn’t allowed on PRP are clear, and especially if there are a few ‘plot in a box’ options that get pinned up now and then to be claimed…
We’re all here to be telling stories with, to, and for one another. We take turns running, or we just pitch and idea and co-run, or we just tell the stories we want and trust others to do the same.
But as long as there aren’t barriers to people starting, seeking, and running their own RP, a lot of story-telling needs take care of themselves just as long as a +req about:
Gonna run this plot, out of A/B/C which big bads are most appropriate, what outcomes need avoided at all costs, and any information in that setting I should know while running it.
It takes a few minutes to drop that knowledge onto a PRP that anyone (no storyteller needed outside the participants) can run, and that group is off and going, same as any of the others. If they overlap, cool. If they don’t, also fine. But for the most part… As long as we’re trusted with the pieces of plot that are relevant, we’re all capable of entertaining ourselves without hopefully becoming overly burdensome.
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@Roadspike said in Player Ratios:
@Gashlycrumb The whole idea of share points might work for some games, but it feels like it is absolutely rife with the possibility of the perception of bias.
Even if none of that is actually true, the perception can destroy trust in a game.
Yep. Honestly, I suspect that no matter what you did for transparency people would still percieve bias there just because it has an icky feel to ‘pay’ for shit. I am not sure it would really work on any game, but it’s an idea I had. I am now quite curious as to how it worked on Firan.
I really would like some method of displaying a player’s desirable-activity/inclusion-in-cool-shit ratio but if you do it openly it has this ‘paying for stuff’ ick feel, and if you did it secretly people would soon find out and it’d look weird and bad that way too.
I have had GMing staff put me off by saying I get a lot of votes and am thus a star.
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I’ll admit I would probably nope out pretty hard of an environment where I had to pay-for-GM on a MUSH, even if the currency was fairly fluid. Might work for some players. Not my thing.
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@Jumpscare said in Player Ratios:
What if any spotlight cost half your points?
I don’t know how that would work in practice, but I suspect it would discourage absurd grinding of points. And over time, the spotlight-stealers would have to put in twice as much effort to not fall behind the little guys. Inevitably, though, the little guys would have their chance in the spotlight.
Or you could just cap them. Say they max out at 12. 8-12 is ‘Green’ level, and GMs are encouraged to write stuff to pull greenies in with individualised hooks, and greenies get first chance at seats for GM-run events. 7-4 is ‘Blue’ and is where you try to keep everybody, 4-0 is ‘Red’ and that doesn’t mean you kick them out of the plot, but other characters get first chance at event seats and GMs should try to shift the focus.
First you’d need a unicorn player-base who don’t walk at the idea to begin with, and then they’d need to be patient as you dinked around with the levels to have it balance right. And you’d need to hand vet all the +share votes, since you should not be able to grind them by telling everybody about the borage blight, maybe a borage blight is only worth five. (Which is a spot where it would be nigh impossible to avoid being seen as biased. along with the ‘that was never a spotlight just now!’)
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@dvoraen said in Player Ratios:
@Pavel said in Player Ratios:
@Faraday said in Player Ratios:
incentivize the behavior you want, without incentivizing negative behaviors
That goes double for taking things that are typically “free” (staff attention, entrance into plots, add your own example here) and making them require points. The EA or Ubisoft approach to staffing.
Don’t you dare try to coin “microstaffing” or “microplots” as if we’re going to reach the MU* equivalent of microtransactions.
We aim to give every player some pride in accomplishment.
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So what if you never ‘spend’ these points at all, you only accumulate Carnegie points (for sharing plot, being helpful, doing crowdsourced tasks, etc) and Emmy points (for being on the show, so to speak.)
Use the Carnegie/Emmy ratio in the same way, but both types of points will probably appear desirable to accumulate regardless.
ETA: Especially if you gave a ‘real’ MU Carnegie and Emmy out every quarter, with announcements and possibly even a download code for a free Chuck Tingle book or similar cheap little e-treat.
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NGL. The vibes on this are getting weird. I feel like most every game these days is pretty strong anti-capitalist vibes.
And like, don’t get me wrong, I’m HERE for that.
But. If we’re all hanging out designing new worlds and games and governments that aren’t based around profiting from labor…
Why do we think that buying/selling stories with points and perks is going to make anything better?
You’ll always have some players who have more time than sense, and they will farm those points and buy things that no one else wants.
And you’ll always have the folks with two jobs, or kids, or sick parents who may only be able to go to one single social scene a month. And they’re not earning points, and even if they were, they wouldn’t know how to spend them. But they chat a few minutes every day on chat while they commute, and answer questions, and since they’re on the game, so are all their friends, two of whom are storytellers - but wouldn’t be if their friend wasn’t barely sometimes there. And that person’s on monthly scene and the friends who are there for that are contributing SO MUCH MORE than your points farmer ever could.
And now, we’re not telling our anti-capitalist stories and building our fictional dreamt of utopias (IC’ly, OOC’ly we’re planning to fail because we don’t want to kill the game and theme) by instead making the game itself the example of the capitalist hellhole we’re all trying to escape in our pretendy happy fun times…
It’s getting too complicated.
Plan out what parts of plot need to be super secret, and how/when/to whom it will or won’t get doled out.
Put all the rest of plot in your lore pages and outline the acceptable scopes of PRP, ST arcs, and Plot in a Boxes. Give folks a few bingo cards and scene randomizers. Make one or two totally normal looking bingo card entries actually tie into one of the few secret plots that aren’t just lore-filed and up for everyone so that they can run for each other and their friends or just do whatever they’re doing.
And if you get innundated and can’t keep up, be honest about it. Say so on the forum. Pause new characters or ask folks hey, can everyone chip in and find a buddy, and each of you tell a story about THISTHING for each other, and up to 2 of their other friends. By then, we should be caught up enough to finish up plot stuff, and after that catches up, we’ll look at re-balancing things and then repoen. CG, or instead realize this is our limit, and where we’re going to keep it.
Like. Honestly. Micro-transactions aren’t the answers here. Honest communication, periodically re-evaluating capacities, and trusting each other to take care of our own fun, and to help others do the same is the only solution I personally think it would take.
But. I’m also not known for being a game runner. Maybe ymmv. But as a player? Those were the setups I always found to be the most fun to write in. And they tended to be the best ran and most stable player-bases, too.
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@Jenn Capitalism isn’t ‘exchanging tokens’.
I get you about the vibe.
You seem to have missed some of my posts, it’s an idea to think about, not necessarily something I want to try.
Anyway, what do you think of it when there is no exchange, only accumulation of points?
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Points make me think of keeping score, and days of PvP. I like the modern vibe of games where we’re all on the same dysfunctional team together, telling the stories, and we survive it or we don’t, but. we’re doing it together.
Once we start tracking points on something that’s a spare time pretendy collaborative writing game, that loses the creativity and story-driven side of it - at least for me. I maintain that the only thing needed for an active, involved game is an understanding of your scopes and limits, and letting the characters who want to write and play in it do just that.
We’re all adults. We don’t need every scene to have story-tellers, or every piece of plot spoon fed. We can figure it out pretty well by just asking each other for the scenes we want, and saying yes when they pitch back at you and it sounds like fun.
Is it important to have a vague expectation of how much official ST plot your playerbase needs? Probably.
Is it important to look at bribes and rewards just to figure that part out? Probably not.
But. I’m also super low crunchy. I rarely look at dice outside the wondering of hey, this is iffy, am I able? Even as a ST, I rarely ask for rolls unless something isn’t natural and normal to the character. Most of the time, just letting them do their things with their words while I steer the plot part doesn’t need it. They usually all write good mixes of both wins and losses, and the few who miss that vibe usually are super fine with it once they’ve been politely paged.
I think getting bogged down into mechanics of things makes it lose some of the magic. And I think that goes double when the opposite side is lets bribe people into making sure there is RP, the thing they’re here to do and should be mostly able to manage on their own.
And, if folks WANT bribe games, like, sure. Build them, have fun, and that’s ok. Not everyone likes everything. I’m just not sure why bribe mechanics are the main topic on a thread about how many story-tellers are needed per average number of players. To me… Bribe mechanics aren’t what tells or even shows there were or are good stories. They’re entirely separate. And if a game is relying on the bribes to ensure there are stories getting told… That seems more game issue than ratio problem.
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@Jenn It’s just not for very-low-crunchy lots-of-PrP games. If you can rp happily along and your pc affect the world as much as anybody else with no staff-ST, it wouldn’t make sense to bother.
Generally people kinda like points, even ones that don’t really do anything like the cookie count. Perhaps especially ones that don’t really do anything. Dr. Skinner can explain.
This is relevant to the ST/Player ratio because what’s wanted is the ratio that doesn’t leave players underserved or (STs burned out). And relevant to the thread because the OP brought up giving people tokens for running PrPs which could be exchanged for staff attention, in one of the top two posts.
ETA:
@Jenn said in Player Ratios:
And you’ll always have the folks with two jobs, or kids, or sick parents who may only be able to go to one single social scene a month. And they’re not earning points, and even if they were, they wouldn’t know how to spend them. But they chat a few minutes every day on chat while they commute, and answer questions,
This person is earning (unspendable) Carnegie points all the time for answering questions, and never getting (also unspendable) Emmy points, so their ratio would alert the staff-STs to try to give their character a major role in something next time the player has an afternoon off. It seems fair to me that somebody who does a lot for the game but hardly RPs ought to get a leg-up to the Important Stuff if they want it, even if they don’t have friends who are STs.
"This is Liberty Hall; you can spit on the mat and call the cat a bastard!"
– A. Bertram Chandler -
Agreed. It was mentioned early on. I wasn’t a fan then, but it was early on, so figured I’d give it longer, and read more.
More folks agreed with points.
I still think they’re weird. Games that I’ve played that use them, and especially rely on them, usually they’re not the best games I’ve been on.
The best games, in my opinion, have been ones where people don’t keep track. They just write. The majority is PrP with staff support/guidance on questions, but where story-tellers weren’t NEEDED for any scene, though, when able would host events or dole out new plot trickles or whatnot. But. In between, folks are just responsible for telling their own things in ways that makes sense to the characters and game themes.
If you and others see relevance or want to tie rewards to stories for whatever reasons, feel free. I’m just a player, I’m not gonna stop anyone from doing what they’re doing. But to me? They’re not at all the same. It’s apples and oranges. Sure, they’re both fruits and you can store them in the same bowl. But if you do… The apples rot faster and the oranges dehydrate.
I think maybe part of this is you think I’m talking to you specifically, @Gashlycrumb. But other than this specific comment, and the one where you asked me a direct question, I was just replying to the most recent end thread.
It’s absolutely fine that for you, that’s a mechanic that would be interesting and might work out. If it would, I really do hope that you and others who enjoy that same reward points make it work and have amazing successes! Not every game is for every player, and there’s nothing at all wrong with that.
It’s just, that at least for me, they’re two separate things, and I only enjoy one of them. My dislike of the other is strong enough that it would ruin my fun and I’d personally find the games where that isn’t true to be weird. But weird is just different from how others see it, not wrong or bad. It makes the vibes off, for me, that so many folks are I guess ok with the concept of it, but. Again. It’s ok that a lot of us like and enjoy different things.
I’m not trying to wrong fun anyone here, and I’m sorry if it came across that I was. I’m just having different fun as my opinion on it.
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@Jenn said in Player Ratios:
The majority is PrP with staff support/guidance on questions, but where story-tellers weren’t NEEDED for any scene, though, when able would host events or dole out new plot trickles or whatnot. But. In between, folks are just responsible for telling their own things in ways that makes sense to the characters and game themes.
This is probably the best model for generating player fun for less gamerunner time, and the best bet model for opening a game that’ll work.
But I do like dedicated GMs and flinging dice about.
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@Gashlycrumb said in Player Ratios:
Generally people kinda like points, even ones that don’t really do anything like the cookie count.
Some people like points. Some people don’t. Some people fucking crave points and the associated validation like their lives depend on it.
If you’re using it as a metric as in your example:
@Gashlycrumb said in Player Ratios:
This person is earning (unspendable) Carnegie points all the time for answering questions, and never getting (also unspendable) Emmy points, so their ratio would alert the staff-STs to try to give their character a major role in something next time the player has an afternoon off.
Then it doesn’t need to be public information, or even information available to the player themselves. At which point it becomes out of sight and out of mind for the vast majority and simply becomes a metric of player opportunity.
Otherwise you fall foul of Goodhart’s law: “When a measure becomes a target, it ceases to be a good measure.”
