Obviously, this is an extremely complex issue. Animation studios have been using computer aided art for quite some time, but the technology is now becoming accessible to the everyday person. If you want an excellent example of ‘AI’ assisted art being used as a tool by artists, take a look at the interviews with the creative team that produced Klaus.
This technology is currently putting people out of work and it won’t be getting better as developers continue to refine these programs. Concept artists are the most endangered by this as the companies that utilize their services have already begun trimming departments down. A couple of artists with a few machines can turn out as many (if not more) works than an entire team could.
There is a bit of solace to be found. Even if you ignore the legal precariousness, these programs are far from perfect. It takes time and effort to prompt the computer to get exactly what you want. Even after the ‘art’ is generated, it still requires a degree of touching up. Not everyone has the skill set to do this, but… the gap between semi-professional artists and everyone with a computer is beginning to close.
The threat of automation is here and it isn’t going away. Professions that people assumed were safe are not. We’ve needed to have a serious conversation about this for years, but we won’t see anything actionable until it’s far too late. Much like a number of the other extremely predictable assumptions that academics have been warning us about for decades.
If you want to do something against it, make certain not to buy into companies that are trying to run a profit on these programs. Not only will you be slowing the progression of digital art automation, but you’ll also be saving yourself cash. The majority of those paid ‘programs’ are really just a branch of Stable Diffusion…which is a program you can download to your machine for free.
